
About Myer Audio and Introduction
I’ve been working with Myer Audio for about 5-6 months now, and in this time, I’ve tested quite a few of their IEMs. Honestly, I can say most of their products are really good—whether it’s the sound quality, build, or design, they know what they’re doing. But one thing I noticed right away is that their market presence is very low. Like, they didn’t really have a proper marketing team. There was no regular activity on Facebook, Instagram, or even a proper website. Because of that, they weren’t sending out products for reviews, so there was barely any coverage about them in the audio community.
But things are changing now. Over the past 2 months, they’ve started their Facebook journey, and they’re even working on a proper website. I think this is a great step forward because more people should know about what they offer. Hopefully, this review of the CKLVX D62 will give you a clear idea of what Myer Audio can do.
Out of everything I’ve tested from them, I found their build quality, design, and accessories consistently great. Their sound tuning has also been impressive so far. Today, I’m reviewing the CKLVX D62, which falls in the 200–250 USD price range. Before getting into the details, I should mention that Myer Audio currently has about 3-4 different lineups, and the D62 belongs to the CKLVX lineup. Yeah, the name Myer Audio CKLVX D62 is a bit long and kind of hard to pronounce, but it is what it is! And hey, if someone from Myer Audio is reading this—please consider giving your IEMs simpler names in the future. It would make things so much easier!
Personal Testing Experience
I’ve been using the CKLVX D62 for about 3-4 months, and there are many things I genuinely love about it. So yeah, you might notice some extra positive notes in this review because this IEM really impressed me. Over these months, I’ve tested it with a variety of DACs, amps, DAPs, cables, and tips. I wanted to see how it performs in different setups, and let me tell you—it can do really well if you pair it properly.
In this review, I’ll share my experience as honestly as possible and also give you tips on how to bring out the best in the CKLVX D62. If you already have this IEM or are thinking of buying it, this guide will help you understand how to maximize its performance. Let’s dive in!

Disclaimer
The thoughts and opinions shared here are totally mine, based on my personal experience with this product over the past few months. I tried my best to keep the review honest and balanced, but remember, sound is a very personal thing. What sounds great to me might not sound the same to you. Things like ear shape, preferences, and the gear you use (DACs, amps, cables, tips) can change how you feel about the sound.
Nobody forced me to say anything nice or bad about this product. This review is fully independent, and even though I got the unit for testing, it didn’t change my opinion. Just take this review as my own experience, not as some ultimate truth.
If you thinking of buying this, check out Myer Audio’s official AliExpress store, and send them a message saying Sonic Mantra before you buy—might get you a small discount 😁. For Bangladesh buyers who don’t have dual-currency cards, Geek Mart is a good option for ordering.
Also, if you live near me in Bangladesh, feel free to reach out. You can audition the product anytime. Your welcome! 👌

Build Quality and Design
The build quality of the Myer Audio CKLVX D62 is really something impressive. It’s made with 3D-printed resin, which makes it super lightweight but still feels very strong in hand. I’ve been using it for about 4 months, and it’s holding up really well. Honestly, I had no worries about its durability during my time with it.
The inner body has a sleek black smokey resin finish, which gives it a modern and premium look. The 2-pin connectors sit flat with the body, making it easy to use with any 0.78mm 2-pin cable. During testing, I used quite a few aftermarket cables, and I never felt like the pins got loose or wobbly. It’s tight and solid—another good sign.

Now, the faceplate is where things get really special. They used wood and resin, and the result is stunning. Each unit looks a little different because of the natural texture of the wood, which makes every piece feel unique. The faceplate reminds me a bit of DUNU Da Vinci, but Myer Audio gave it their own twist. The wooden texture, combined with the glossy resin, is really eye-catching. Honestly, I’d give the design 5/5—it’s just that good.


The nozzle is made of metal, and the joint between the resin shell and the metal nozzle is smooth. I’ve changed tips many, many times over these months, and there’s no sign of damage at all. I also noticed that the nozzle hasn’t oxidized or changed color, even in our humid Bangladeshi weather. That’s a big plus because some nozzles do get discolored over time, but not this one.
One thing I couldn’t find was the exact type of metal used for the nozzle, but honestly, it doesn’t matter much to me. It’s strong, durable, and still looks brand new after months of heavy use.
Final Thoughts
The CKLVX D62 does an amazing job in terms of build and design. It’s lightweight, durable, and the faceplate design is just gorgeous. Everything feels premium—from the resin body to the secure 2-pin connectors. If you ask me, this IEM looks and feels much more expensive than its price.

Fit and Comfort
Now about the fit and comfort, I can say this is a very comfortable IEM. The inner shell design doesn’t create any pressure inside the ear, which makes it suitable for long listening sessions. The design of the inner shell covers most of the ear’s area, so it sits very securely. You won’t have to worry about it falling off, even if you move around a lot. Plus, because of this design, it also blocks external noise quite effectively.
The nozzle length feels just right. It doesn’t go too deep into the ear canal, nor does it sit too far out. It sits just perfectly, creating a comfortable experience. However, for some people, the nozzle might feel a little thick. The nozzle thickness is 6.2mm, so if you have issues with thicker nozzles, just keep this in mind. For me, I didn’t face any problems. I believe if you use the right size ear tips, you won’t have any discomfort either.
The shell size is medium, but the height is slightly on the taller side. So, if someone has smaller ears, it will fit but might stick out a little. However, even with this, the comfort level doesn’t get compromised. My ears are on the slightly larger side, so it fit perfectly for me. But I wouldn’t recommend lying down while wearing these, as the height of the shell might create some pressure on the ears in that position.
I’ve also used this IEM for outdoor listening, like walking or traveling, and it stayed very stable in my ears. The outside noise isolation is excellent, which made my outdoor experience enjoyable. However, this also comes with a small warning—if you’re using this on a highway or in busy traffic, be careful! Once you crank up the volume, the external sounds are almost completely blocked. If a car is honking behind you, there’s a chance you won’t hear it, and that can lead to accidents. So, if you plan to use this outdoors in such situations, do it at your own risk!
Overall, the fit and comfort of the D62 are solid, and it’s definitely designed to offer a secure and enjoyable experience for most users.

Cable
The stock cable included with the D62 is a high-purity copper silver-plated 4-core cable. It’s hand-braided, lightweight, and soft to the touch, making it comfortable to use for long periods. The cable has interchangeable plugs (L-shaped 3.5mm and 4.4mm) with a mechanism similar to Dunu Q-Lock Lite. Interestingly, I tested it with a Dunu Q-Lock Lite 2.5mm plug I had, and it fit perfectly—though I’m sure that wasn’t intentional by design!
The cable is covered in a transparent PVC insulation, giving it a clean look. During my testing, I didn’t notice any microphonic noise, which is a big plus. However, the cable does have a slight memory effect, so it tends to coil up a bit. But honestly, this didn’t cause me any major problems while using it.
One issue, though, is that the interchangeable plug mechanism is very tight. Changing the plugs can be a bit tricky, and I even found myself struggling a little. Hopefully, Myer Audio can improve this in future iterations. Apart from this, the cable quality is excellent for its price range, and you won’t feel the immediate need to upgrade it.
That said, if you own some high-quality aftermarket cables—like Dunu Lyre Mini, Dunu DUW02, or Kinera Mia—you can pair them with the D62 to tweak the sound. For example, I’ve been using the Yongse Chivalry Mini High (a silver cable), and I found it pairs surprisingly well. It brings out better details, resolution, and dynamic range, especially when used with my warm or balanced DACs. I didn’t notice any harshness in the treble, and the bass quality felt more refined.






Tips
The D62 comes with 7 pairs of ear tips:
- Group A silicone tips (S/M/L) – These remind me of Spinfit-style tips.
- Group B silicone tips (S/M/L) – Similar to Sony EP-EX11 tips.
- 1 pair of memory foam tips for those who prefer a softer seal.
Both silicone tip sets are of good quality, and if you don’t already own aftermarket tips, the stock tips are perfectly usable. However, I experimented with some of my own tips and found these two gave the best results:
1. Final E Clear (Pink):
- Improved bass control and tightness with better overall quality.
- Added some body to the midrange, making vocals feel richer.
- Smoothed out the treble without losing clarity.
- Noise isolation and comfort were excellent with these tips.
2. Eletech Baroque:
- Expanded the soundstage, making it feel more spacious.
- Added a touch of warmth, enhancing the midrange body and vocal richness.
- Treble became smoother and airy with better extension.
- Fit and comfort were also great with these.
Final Thoughts
If you have access to different aftermarket tips, I highly recommend experimenting with them. Ear tips are one of the most important factors when it comes to tuning the sound of an IEM. The right tips can significantly enhance your listening experience, improving isolation, comfort, and overall sound balance.
Note:
Most of my review is based on the stock configuration, but I’ve also referenced some improvements I observed while using the Eletech Baroque tips.




Carrying pouch


Source compatibility
One of the main reasons I love the Myer Audio CKLVX D62 is its unique behavior with different devices. Honestly, it’s surprising how this IEM changes its sound depending on the source. It’s not something you see often. This means you can’t predict how it’ll sound with a specific device until you actually try it. And that’s exciting!
For example, with the Cayin N3 Ultra, there are two modes: solid-state and tube. The D62 behaves very differently in both. In solid-state mode, it sounds energetic, kind of neutral, with punchy bass and excellent technical performance. But switch to tube mode, and it’s a whole new story. The sound becomes warmer, fuller, and more musical, yet it doesn’t lose any technical details.
Another great pairing I tried is with the Questyle QP2R. Here, the bass shines with both quality and quantity. The midrange feels natural and smooth, while the treble is clear and detailed without being harsh. It’s such a well-rounded and enjoyable experience.
If you have multiple sources or are someone like me who loves experimenting with different setups, this IEM is a solid choice. It delivers something new and exciting with each pairing. I’ve tested it with many devices during my reviews, but listing them all isn’t possible here. So, I’ve mentioned only the ones that stood out the most.
In my opinion, if you enjoy discovering new sound experiences with different setups, the CKLVX D62 is an excellent option to consider.

Testing Source
- Questyle qp2r
- Cowon Plenue R2
- Astell & kern SP1000M
- Cayin N3 Ultra
- Ibasso DX180
- Hiby R3 ii
- Ibasso DC Elite
- Cayin ru7
- Questyle M15
- ONIX Alpha Xl 1
- KAEI-TAP2 ( AMP )
- Shanling H5
- IFI Hip DAC V2
- Xduoo xd05 basic
- Fiio btr7
- IFI Go Blue
- Ddhifi TC44 PRO E2
- Dunu DTC 480
- Fosi audio ds1
- Kinera CD20 And CD10
- Epz Tp35Epz Tp20 pro
- Moondrop Dawn Pro
- Bqeyz Lin
- NICEHCK Tc3

The Sound Performance
Sub-Bass:
Myer Audio CKLVX D62 presents clean and well-extended sub-bass, from which excellent depth and rumble are derived. For example, in the song Cherish the Day by Sade, the sub-bass is beautifully delivered, while the bass guitar has a warm and deep presence that somehow feels smooth yet controlled. It is an intimate and musical environment, not too boomy. Also, with Panther by Marcus Miller, the bass guitar lines have that typical, rumbling quality and add to the mood without overwriting all the other frequencies.
But for those who need extreme bass lines, the sub-bass just doesn’t seem to hit as hard, but it is a treat if you’re the kind of guy who enjoys bass in moderation. It reverbs pretty nicely and is controlled—the muddiness isn’t heard, nor does it bleed into other areas, which really helps in the clarity. Paired with a warm source, however, the sub-bass acquires a bit more body and warmth, enriching the general signature. Here, the tuning is tasteful—a sweet spot where it’s present, though never overstated.

Mid-Bass:
The mid-bass is taut and punchy; it is thick and well-textured, but also energetic and hard-hitting without ever sharpening up. Songs like Michael Jackson’s Billie Jean can give one a great view of this, and that kick in the intro simply has a very good solid thump to it—a good enough body to be satisfying yet not clobbering. That bassline in said song was impressively well-layered to give evidence to its mid-bass control and speed
The fast-paced double bass drumming in Through the Fire and Flames by Dragonforce is a real test, but the D62 handles it with ease. It doesn’t lose detail or feel congested even in complex sections. The mid-bass keeps up, delivering an engaging and dynamic performance without bleeding into the mids. Drums feel thick and impactful, with an “oomph” that adds weight to tracks. It is sufficiently clear for cluttered mixes in rock and pop arrangements.

Mid-Range
Male Vocals:
On the Myer Audio CKLVX D62, male vocals come clean and just slightly neutral. There is some soft lack of warmth that gives way to a small portion of the richness being lost, not to the complete derogation of texture and details, though. From the subtle shifts in his breath control to phrasing, Michael Bublé’s vocals in Me and Mrs. Jones are full of micro-details, all well captured by the D62. The track therefore comes across as intimate. Behind the vocals, an unobtrusive but soft and clear piano chimes in.
In Led Zeppelin’s Stairway to Heaven, Robert Plant’s voice is so textured and controlled. The D62 masters the dynamic shifts in his performance, especially as the song transitions from softer verses into the more powerful delivery in the latter half. The acoustic guitar strumming is distinct, and there is no bleed with the vocals; a testament to how well-separated everything is.
Paired with warm-sounding DAC/amps, male vocals pick up extra warmth and body and sound more melodic and emotive. That can elevate the listening experience quite a bit, especially on tracks with great vocal performances.
Female Vocals:
Female vocals via the D62 are energetic yet detailed, with no hint of harshness or sibilance. In the track I Will Survive by Gloria Gaynor, the IEM presents her powerful delivery with amazing air and sparkle. The string section and bassline are there, yet they do not overtake the performance of her voice. Vocals shine through with clarity and separation to present an immersive listening experience.
In Hello by Adele, the D62 brings out the raw emotion in her voice. Every note feels intimate, from the deep chesty tones in the verses to the higher-pitched notes in the chorus. The piano accompaniment sounds natural, with a subtle decay to enhance the atmosphere without pulling focus from the vocals.
And that is the reason the D62 is quite the showstopper regarding female vocals, since it preserved the minute details—like the slight vibrato or changes in vocal dynamics. The air and naturalness in the tone would really draw one into the music, making it a satisfyingly immersive experience.

Treble
Treble is one of the strong suits of the Myer Audio CKLVX D62. It sounds very clear and energetic while offering an impressive extension. High-pitched instruments like violins and flutes sound natural and authentic, bright and open in character, adding airiness to the overall presentation.
In the song The Song of the Golden Dragon by Estas Tonne, the acoustic guitar’s upper harmonics are beautifully reproduced. Every plucking of the strings is sharp and clear, with even the subtle vibration of the strings resonating through the body of the guitar audible. The treble ensures that each and every tiny detail, such as slides and finger movements, is presented with precision. The treble control on the D62 keeps the sound clean, without smearing, even on the faster and more dynamic sections of the track.
Similarly, in G.O.A.T. by Polyphia, the lead guitar riffs are intricate, shining with incredible detail and sparkle. The treble brings life into the string instruments, making them feel crisp and energetic. The cymbal crashes in the background are well-defined, and there’s no unnecessary sharpness that could make the track harsh. However, with brighter sources, the treble might feel a bit too pronounced for treble-sensitive listeners.
Despite its energy and clarity, the treble remains controlled, never overplaying the other frequencies. It adds liveliness to the sound without getting too fatiguing, although pairing the D62 with bright or analytic sources might give this treble more harsh overtones. Most of the time, though, balance to the treble is excellent, making the sonic presentation quite dynamic and engaging.

Technical Performance
Let me just say first, the technical performance of the Myer Audio CKL VX D62 is good but not really the best in its price. Myer Audio definitely focused more on musicality here rather than trying to push extreme technicalities. So, you won’t get an overly wide soundstage or crazy detail retrieval, but what you will get is a very enjoyable, natural sound. Honestly, I quite liked this balance since even after very long usage, I was not bored nor tired of the sound of it.
Soundstage
The soundstage is decent in size, neither super wide nor too narrow; it just feels right for the music. It’s spacious enough to give you a sense of direction and layering without sounding fake. Depth is also handled well so that it doesn’t feel flat or one-dimensional. It is not a huge stage, but it is well-proportioned and feels natural for most genres of music.
Imaging and Transient Response
Imaging is good on this IEM, that is, you will know from which direction the sounds are coming. Instruments and vocals have their space, and their positions are very clearly determinable—for instance, a guitar on the left, vocals in the middle, and drums on the right. This really helps to engage the listener.
The transient response is also quite good on this one. Transients are like how fast a sound starts and stops, such as the hit of a drum or the pluck of a guitar. On the D62, it feels quick and controlled. The attack of each sound is sharp but doesn’t feel harsh, and the decay is smooth, making everything sound clean and well-paced. Proper transient response and imaging help you enjoy the little details in music; it also makes the whole presentation sound alive.

Dynamics
It also follows that the dynamics on the D62 are great; quiet sounds are soft, while louder ones hit hard without it ever being too much. Such balance, in turn, makes the music sound more organic and enjoyable. An example is on those tracks with dramatic volume changes; the D62 handles those well without ever having the track compressed or flat.
Detail Retrieval and Separation
Now, about the details—the D62 does a good job here, even if it’s not the most detailed IEM in its range. You’ll catch small sounds like subtle guitar plucks or soft background effects. It might not dig out the tiniest details, but it’s more than enough for everyday use. Separation is where this IEM shines. Even in busy tracks, each instrument and vocal has its own space, so nothing feels messy or congested.
Speed
This IEM does quite well on fast tracks. The bass we talked about earlier plays a role here—it’s tight and doesn’t lag behind even in quick, complex rhythms. Be it electronic beats or fast rock, the D62 keeps up without any issue.
To sum it up, the D62 might not be for those looking for super technical performance; for anyone seeking a well-rounded and natural sound from an IEM, however, it is not a bad choice. It isn’t here to knock you over your head with technicality but to present itself in a smooth, easy manner that should function quite well with a majority of music.

Conclusion
In the end, the Myer Audio CKL VX D62 isn’t about being the most technical or detailed IEM out there. It’s more about how it makes you feel while listening to music. The soundstage, imaging, and separation are good enough to keep you engaged, and the balance in dynamics and speed makes it a great all-rounder for many types of music.
But what I loved the most is how this IEM behaves so differently with different sources. Pair it with a warm DAC, and you get this smooth, rich sound. Use a more detailed source, and it opens up, giving you a lot of clarity and detail. This unique way of adapting to sources really makes it special. For me, it’s exciting to hear something new every time I try it with a different setup.
So, I would honestly say, if you get a chance, just give this IEM a try. Who knows, you might like its unique presentation just as much as I did. At this price, it’s a solid performer. And to be honest, sometimes it’s not all about technical perfection—it’s about enjoying the music. And the D62 does that really well.
