Myer Audio CKLVX CK-D62 Review: Fine & Flawless Detail

Myer Audio Cklvx CK-D62 Review

These beautiful-looking IEMs are capable of delivering beautiful sound. To me, they are a bit on the brighter side. No, they are not overly spicy, but for the mid & upper-frequency tuning, the lower region loses some warmth; that’s the fact here. Surprisingly, they don’t create any listening fatigue even in longer sessions; at least I didn’t encounter it. My balanced DAC like the Dunu DTC480 and Celest CD10 does a good job by delivering enjoyable sound. And with iBasso DC04 Pro, Fosi Audio DS1, & Cayin RU7, the sound steps up very well with some warmth.

My ifi Hip DAC2 surprised me as always with its warm and thick sub-bass presentation when I turned the ‘X-Bass’ feature on. I always test bright IEMs with it and find consistent results. But with Cayin N3 Ultra, the story is different with an open stage and fantastic separation. The stock cable & tipa are good enough, but as usual, I shuffled them to find the tune I love. I will cover this later in this review.

DISCLAIMER

MYER AUDIO was kind enough to send me the CKLVX to review. I am not affiliated with MYER AUDIO, and of course, I was not asked for any copy-checking before publishing. All opinions shared in this ‘MYER AUDIO CKLVX CK-D62 review’ are my subjective thoughts.

One thing more: The review is based on my personal experience and what I hear using different sources. Your experience may vary because of personal preference and physical differences like the shape & depth of the ear canal.

For your personal purchase, checkout GEEK MART or MYER-AUDIO for their fantastic products and promotions (non-affiliated link).

GEAR USED

●   DAP: Cowon Planue R2, Tempo Tac V3, iBasso DX180, Cayin N3 Ultra
●   DAC: ifi Hip DAC 2, Cayin RU7, iBasso DC 04 Pro, Dunu DTC 480, Fosi Audio DS-1, Celest CD-10, Celest CD-20 Hidizs SD8 Pro Robin, Moondrop Dawn Pro.
●   Smartphone: Poco X3
●   Files: Spotify & local Hi-Res FLAC & DSD files.

TECHNICAL SPECIFICATION

● Driver: 2DD +6BA
● Frequency response: 20Hz – 20kHz
● Impedance: 29Ω
● Sensitivity: 110dB
● Cable: High-purity copper silver-plated cable with interchangeable terminal
● Pin Type: 2pin 0.78mm
● Cable Length: 1.2M
● Plug Type: 3.5mm, 4.4mm interchangeable

WHAT’S IN THE BOX

● CKLVX CK-D62 IEMs
● Modular stock cable
● Extra connector for cable
● 6 pairs, 2 types of silicon ear tips (S/M/L), 1 pair foam tips
● Storage box
● Some official papers

UNBOXING EXPERIENCE

The experience is almost like Slivo SL41 MK2. By opening the hard cardboard box, you will find the IEM attached to the cable and the storage box, both carefully nested on foam cut-out. The cable is modular, and you will find the extra plug inside the carrying box along with the stock tips. It’s all well organized and straightforward. No complicity, folks.

BUILD & DESIGN

The design team worked well here, I must say. This is one of the very smart & good-looking IEMs you will encounter that is released this year. This is a blend of aesthetics and functionality in a way that truly stands out. Shells are made of resign and feel so robust. The finishing is smooth and shiny. The faceplate of this set is a mix of resin and stabilized wood, and this is the most sticking part of this IEM. Every piece is unique with a natural wooden texture. My unit is a reddish-orange one.

It also features a meticulously designed internal acoustic chamber to enhance sound quality. Along with that, the supplied cable is a hand-braided one, which is artistic, durable, & elegant at the same time. Myer Audio never failed to amaze their customers when it comes to the build quality and design of their IEMs, and this CKLVX CK-D62 is no exception.

FIT & COMFORT

Though the IEM is jam-packed with 2DD & 6BA, a total of 8 drivers, the size of the shell is not a huge bulky one. It’s a bit bigger, though, but still manageable. For this, my medium-sized ears had no problem when it came to fit & comfort. The resin finish of the shells is smooth, and the ergonomic design makes it very comfortable to wear even in longer listening sessions. With the proper size of the ear tips, the IEM fits and seals very well in the ear. It has an air vent to prevent extra air pressure inside the ear, which really makes the enjoyment of listening to music a waste!

Whether sitting still or on the move, the CK-D62 stayed in place without needing constant adjustment. The provided soft cable is also comfortable to wear over the ears and doesn’t create any pressure. It also has no micriphonics; you only hear a bit of scratch sound while you are walking. In general, the fit and comfort of the CK-D62 elevate the listening experience so that focus remains on the music and not gear.

SOUND IMPRESSIONS

The frequency graph doesn’t always express the original experience of listening to an IEM. There is some tricky part while tuning an IEM where one frequency needs to complement another. First, I thought there would be a good amount of bass, especially the sub. But after listening to it for the first time, I realized that the tuning from 2kHz to 10kHz made some drama here and dominated the bass region not to bloom. It’s a heartbroken moment for me! The vocals are forward with good texture, and the upper frequencies have fantastic details & clarity.

Here is the frequency graph (courtesy: squig.link):

Let’s dive deep…

SUB-BASS

I’m a true bass lover. I mean, not crazy type, where I will only hear the sub, but I need it to enjoy my music to the fullest. The CKLVX CK-D62 broke my heart here. It is there, but the presence is too faint. I had to grab my ifi Hip DAC2 and turn on its X-Bass to enjoy the sub-region. And then it showed up like a long-lost friend. But with balanced or warm-analog kind of sources, it showed a lean-back presentation and lacks the warmth I love to enjoy the lower region.

The sub-bass stays clean and extended. While listening to “La-Bamba” by Los Lobos, I find the sub-bass is clear with good control, not muddy or too heavy, which would compromise the mid and high notes. Personally, I think it suits more with classical or jazz, where the low sound should be well balanced to help the music in general. For music lovers who like detail and clarity, this tuning may be pleasing.

MID-BASS

The lack of sub-bass warmth made the mid-bass of this IEM a bit dry. It is punchy enough with good body and texture, but the dryness doesn’t let me enjoy it like the way I want it to. But the lack of warmth makes it very speedy, clean, and articulated, which any metal or progressive rock lover will like. It responded fast and doesn’t bleed to the midrange. This is something fantastic. The use of dual dynamic drivers and tight yet shiny tuning make it sound full-bodied.

It’s a blessing when you will enjoy “Crawl Away” by Tool with this CK-D62. It delivers the mid-bass with precision and energy. The rhythm section of the song, played by bass guitar and drums, is powerful without being bloated. Every note of this bassline is clear, with just enough body to feel involving. On the busier passages of the track—in effect when the bass has been joined by incisive guitar riffs and very dynamic drums—the IEM does good work in keeping the mid-bass well-separated from the vocals and higher frequencies.

VOCALS

MALE

In the D62, male vocals sound good with fantastic texture and details in them. It showcases its ability to handle midrange frequencies with clarity and balance. In general, baritones and tenors still sound powerful, and things like breath and fine vocal details are clear. But the mid-bass being slightly restrained and the focus on detail over warmth make male voices sound less rich than expected. This tuning is good for styles that require a clear and neutral-sounding vocal but may not please listeners seeking a heavier and stronger vocal performance.

Listening to “All the Matters” by Mark Knopfler, this set delivered the vocal with precision. Knopfler’s warm and story-telling voice comes across as rich and detailed, sitting comfortably in the midrange, which is where this IEM shines. The CK-D62 emphasizes vocal textures, so you can really hear the gravelly nuances in Knopfler’s delivery, bringing the lyrics in feeling very personal and emotive. But this IEM’s slightly neutral tuning makes the lower end of Knopfler’s voice feel less robust compared to setups with a warmer, more bass-focused profile.

FEMALE

This is the true star of the show, as the D62 deliver the female vocals with power and shine. It brings female vocals to life with a detailed and refined presentation. One of the strengths that the IEM has is in the tuning of the upper midrange; it really makes sounds clear without being harsh. Female voices sound very airy and precise, and the wide soundstage creates a feeling of depth, giving voices room to express themselves while keeping things natural. While it does a great job of showing small details, this IEM might be a bit too analytical for those who like their sound more colorful or warm.

It’s an immersive experience I’ve had while listening to “Thank You” by Alanis Morisstte. Her ethereal and expressive tone is reproduced with great detail, which portrays the intimacy and, really, the vulnerability of the track. The tuning of CK-D62 brings the upper midrange forward, ensuring that Morissette’s vocals stay sharp and clear against the ambient and multi-layered instrumental background. Her subtle vocal inflections, such as breathy deliveries or changes in intensity, are handled precisely, making every phrase deeply resound.

INSTRUMENTS SEPARATION

The D62 impresses me the most when it comes to instrument separation. It creates a clean and spacious sound where each instrument has its own defined space. It has a great ability to maintain clarity even in busy tracks. Instruments like guitars, drums, and keyboards are presented with precision alowing listeners to pick each instrument differetly. But sometimes the analytical nature of this IEM may distract you from enjoying music and the lack of warmth in lower region may feel less enjoyble where the rythm of drums and bass in the main feature of the composition.

A deeply engaging experience I had while listening to “Leraning to Fly” by Pink Floyd. There are so many different parts to the song: David Gilmour’s high guitar, the steady rhythm section, and smooth synth sounds. The CK-D62 shows prowess in making the sounds clear and precise, placing each instrument in its place within the sound and making the soft background vocals as well as detailed percussion easily heard. It allows soft background sounds, like the synth effects, to be clear instead of masked by louder parts of guitars and drums.

TREBLE

The treble is so alive here. It’s standout in delivering treble with clarity, enegy with good extension. One of the strong points of treble tuning is that it is good at higlight the micro details. Instruments such as violins and flutes sound very authentic, and the general sound feels bright and open. The result is a best-in-class high frequency delivery for listeners who like a clear, detailed sound. But some brighter recordings may feel harsh to people with sensitive ears.

The Myer Audio CKLVX CK-D62 sounds clear, especially in the highs when listening to Dream Theater’s “Another Day.” This song really is a symphony of strong singing, saxophone, and guitar that benefits greatly from the very accurate reproduction of the highs on the IEM. Those two balanced armature drivers do an excellent job of keeping each high note airy and clear so that each high-pitched note is heard clearly. The guitar solo by John Petrucci in the song has many detailed parts, while the saxophone played by Jay Beckenstein keeps its smooth and bright sound. The high notes stay under control and do not become too sharp, which can be hard in songs with a wide range of sounds.

SOUNDSTAGE

The Myer Audio CKLVX CK-D62 sounds wide and deep, considering the price. Listening with these IEMs feels like you are part of a well-organized live show where every instrument is at its place. The IEM shows good imaging and layering. The instruments and voices are obviously separated, which makes understanding complicated music quite easy. You can pinpoint, for instance, in an orchestral or live recording where each instrument is seated.

With the D62, it’s like diving into this great sound experience whenever “Anchor” by Novo Amor plays. Everything in “Anchor” feels like it’s placed exactly right. You have the soft strumming of the guitar and the soft voice of Novo Amor right in the middle, then all the background noises and those subtle instrumental stretch around them. The separation of all these the IEM has absolutely nailed it, so you barely miss a thing in a fashion that feels like the music surrounds you. This depth and precision make the emotional telling of the track all the more poignant.

TECHNICALITIES

The Myer Audio CKLVX CK-D62 does, indeed, impress in terms of technicality: surprising dynamics, speed, and analytics. Here’s how it does along these dimensions:

DYNAMICS

The actual dynamic range on the CK-D62 moves undistorted from soft to loud. It really ramps up the excitement in genres like classical and rock, being able to go from soft to loud in an instant. With those two drivers being dynamic drivers, this gives them punchy lows and vibrant mids; each note feels alive. That being said, sometimes the energy overpowers the little details of the quiet tracks.

SPEED

One of the strong suits of the D62 is its speed. The balanced armature drivers, working with the dynamic drivers, promise to keep up with fast transients and accurate note decay. That makes it very good in fast genres, such as metal or EDM, and the fast hits of a drum sounds really clean, along with the complex guitar riffs. For those that yearn for a more organic decay, though, this might be ultra-fast and clinical-sounding.

ANALYTICS

With exceptional clarity and detail retrieval, the CK-D62 caters to analytical listeners. Imaging and separation are very good, with instruments finding places on the stage with ease. Perfect for critical listening, though the highly revealing nature may expose flaws in poorly mastered recordings.

SOURCES

Sources are to provide power and give you a good/bad synergy that can bring out the potential or the weaknesses of the IEM. I will divide this section into two sub-sections. Now let’s jump in right away.

POWER

This is not a ‘hard to drive’ type of IEM, but rather an easy to drive thing. It has 29Ω impedance and 110 dB of sensitivity. You can easily drive it through the 3.5mm jack of your smartphone. But the sound you will hear then won’t justify the set! Give it some juice to bring the most out of the total 12 drivers, and then you will understand the potential of the D62. I personally will recommend a good dongle with a 4.4mm jack, not those very basic ones.

SYNERGY

The CK-D62 is a detailed-oriented analytical kind of set, though it’s not analytical like the Geekwold GK300. If you are a lover of analytical or clinical sound, you can choose Dawn Pro (on a budget) or the popular M15 (a bit pricy though). But if you wanna hear the warm analog kind of tune from it, I will suggest you pair it with any warm source like ifi Hip DAC 2/3, ifi Zen Dac 2/3, xDuoo XD-05, etc. But if you wanna stay in a safer zone without secrificing any detail but want the warmth in the lower region, then the iBasso DC04 Pro, Fosi Audio DS-1, and Cayin RU7 can do a great job.

CABLE & TIP ROLLING

The Myer Audio CKLVX CK-D62 comes with good and usable accessories, including a fantastic cable and a bunch of ear tips with various sizes. They tend to provide the stock sound of this IEM and have done a great job. But if you wanna upgrade, then there’s always a room for you. I tried it with different cables and found that the Dunu Lyra mini goes well with it as well as the budget-king NiceHCK Mix PP. But when I’ve got the NMD Audio Neptune, I’m really blown away by the capability of the cable, as it delivers a fantastic sound with a good hint of warmth in the bass region.

In terms of ear tips, you can stick with the stock one, or if you have different tips in your collection, then why not do some rolling, ha? As I always seek some warmth, I tested the IEM with Penon Lequier (Orange & Black), Final E (Black), Azla Max, Spinfit W1, Omni, Dunu Candy, etc. Finally, I stuck with Azla Max, as it tamed down some upper-frequency spark, which I don’t like, and made the lower region a bit warm with a good body.

RECOMMENDED FOR

● Detailed Sound lovers
● Audiophiles seeking good technical performance
● Analytical sound lovers
● Shiny & powerful female vocal lovers
● Audiophiles love textured mid-bass
● Comfort seekers

NOT FOR

● Warm bass lovers
● Bass heads
● Treble-sensative listeners
● Meaty male vocal lovers

CONCLUSION

The Myer Audio CKLVX CK-D62 is a testament to precision and craftsmanship. It offers a lively sound signature that will sooth the needs of audiophiles seeking clear & detailed sound. Hi-brid set-up with 2DD & 6BA makes this IEM a gem for analytical listeners. It has fantastic technical capabilities like fast transmissions, excellent separation, and awesome detail retrieval with very good instrument separation; together, they make you feel like you’re on a big stage.

Though the bass heads along with warm heads will feel a bit down for its lack of strong sub-bass and warmth in the bass region, with a warm source it is capable of delivering a good body of bass with proper warmth. Keep in mind that it will come with the cost of losing some micro details. With a price tag of $236, will you buy it? In my opinion, yes—if you like detailed & technical sound. But before you do, don’t forget to give it a try.

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